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- 11 NovH. Bier and S. Mostafavi publish journal paper on Data-Driven Architectural Design to Production and Operation in Systema's special issue Architectural Ecologies
- 26 OctRobotic Painting / Machining Emotion project team at Dubai Design Week
- 26 OctJia-Rey Chang published a paper in the New Architecture Journal NO.5: "Digital Techniques and Architectural Evolution"
- 25 OctIn ACADIA 2015 Peer Reviewed Projects, Sina Mostafavi and Henriette Bier published a project on Informed Design to Robotic Production systems.
- 25 OctDr. Nimish Biloria, Jia-Rey Chang and Dieter Vandoren published a paper "Ambiguous Topology" at IEEE VISAP'15 conference, Chicago, USA
- 23 OctHenriette Bier talks at the 3TU symposium Real Additive Manufacturing
- 22 OctNew website "Machining Emotion" is launched by the Robotic Painting project team
- 21 OctAt Dutch Design Week 2015, Sina Mostafavi talks about Creative applications of Design to Robotic Production systems in architectural design and building processes
- 01 OctHyperbody hosts Delft Robotics Institute's monthly RoboCafé on "Pro-active Robotics"
- 25 SepSocialGlass is featured on NRCQ, the leading business news site in the Netherlands
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March 14th - June 19th Robotic Building team participates in the exhibition Imprimer le monde at the Centre Pompidou
This exhibition is part of the first edition of Mutations/Creations, a new platform for art, science and innovation at the Centre Pompidou, in collaboration with Ircam. Imprimer le Monde will be held from March, 15th 2017 to June, 19th 2017. This show will be an exploration of 3D experiments at their cutting edge, in the fields of art, design and architecture, but also medicine, robotics and industry. The hanging will focus on the works of 40 key artists, designers, architects, and scientists of today.
Curated by Marie-Ange Brayer, chief curator of the Design department, “Imprimer le Monde’ will be organized from March, 15th to June, 19th 2017. The show will be an exploration of cutting edge 3D experiments in the fields of art, design and architecture but also in robotics and industry. Design objects and architectural prototypes will be shown alongside programming software. The exhibition will also propose an archeology of 3D printing, going through the first artists’ 3D experiments in the 1960s.
The work of the following artists, designers and architects is exhibited: Additivism (Morehshin Allahyari et Daniel Rourke) ; Aleksa Studio (Aleksandrina Rizova); Alisa Andrasek (Biothing) ; Aldo Bakker; Mathias Bengtsson; Henriette Bier et Sina Mostafavi; Erwan et Ronan Bouroullec; François Brument et Sonia Laugier, Ammar Eloueini; Thibault Brunet ; Heather Dewey-Hagborg ; Dong Lin et Chi Zhou ; Goliath Dyèvre et Grégory Chatonsky ; Hyun-hwa Cho et Raphaël Thibault; Jean-Baptiste Fastrez ; Laureline Galliot ; Dov Ganchrow et Ami Drach ; Gramazio Kohler Research ; Michael Hansmeyer et Benjamin Dillenburger ; Brian Harms ; Jesse Howard ; Hiroshi Ishii, Lining Yao, Jifei Ou (Tangible Media Group, MIT) ; Joris Laarman ; Achim Menges ; EZCT Architecture & Design Research (Philippe Morel : EZCT/XtreeE ; Felix Agid); nendo (Oki Sato) ; Nervous System (Jessica Rosenkrantz et Jesse Louis-Rosenberg) ; Olga Neuwirth ; Neri Oxman ; Matthew Plummer-Fernandez ; Jon Rafman ; Gilles Retsin et Manuel Jiménez García ; Jenny Sabin ; Neta Soreq ; Studio A2 et New North Press ; Studio Swine (Azusa Murakami et Alexander Groves) ; Skylar Tibbits et Christophe Guberan (Self-assembly Lab, MIT) ; Achraf Touloub ; Unfold (Claire Warnier et Dries Verbruggen) ; University of Tokyo Advanced Design Studies Unit (Yusuke Obuchi, Kengo Kuma, Jun Sato, Kevin Clement, Anders Rod) ; Lilian van Daal ; Olivier Van Herpt ; Dirk Vander Kooij ; Woody Vasulka ; Daniel Widrig ; Hongtao Zhou.
https://www.centrepompidou.fr/cpv/resource/cEo9Br4/rAo9oKd