- 15 AugCall for Papers for Next Generation Building, Vol. 4, 2017: Building-as-Apparatus or Cyber-physical Apparatization in/of Architecture
- 04 JulThesis defence Alireza Mahdizadeh Hakak: Enhancing [spatial] creativity
- 29 JunHenriette Bier is invited speaker at Border Sessions 2017 in Den Haag
- 28 JunH. Bier, R. Schmehl, S. Mostafavi, A. Anton and S. Bodea publish paper on Kite-Powered Design-to-Robotic-Production for Affordable Building on Demand
- 28 JunA.Liu Cheng, H. Bier, G. Latorre, B. Kemper and D. Fischer publish a paper on A High-Resolution Intelligence Implementation based on D2RP&O strategies
- 15 JunProf. Dr. Michael U. Hensel lectures on "Embedded Architectures and Information-based Design"
- 08 JunKas Oosterhuis lectures at De Persgroep Advertiser's Summit 2017 "De kunst van het onderscheiden"
- 01 JunHenriette Bier and Sina Mostafavi review student work on D2RP&O at Dessau Institute of Architecture
- 01 JunKas Oosterhuis lectures at Brain Bar Budapest 2017 "talking about the future"
- 12 MayDr Gennaro Senatore lectures on "Adaptive Structures: Infinitely Stiff, Extremely Slender, Ultra-Light Weight"
Dr. Nimish Biloria, in an interview with B Nieuws explains the intent and the novelty of the EU Culture project METABODY:
Beyond the swipe
Look up from the page and observe the people around you. How many of them are now staring at the brightly lit screen of their smartphone? We are all aware of how these devices are increasingly defining the way we communicate - not just with other humans, but with the technology itself. It commands us to swipe, press, push and speak, thus reducing our interactions to a highly reduced set of standardized and traceable gestures of interaction through interfaces. Yet it ignores the many subtle ways, shaped by our cultural background and individual personalities, through which we human beings express our thoughts and emotions. How can we propose alternative trans-disciplinary communication platforms through the production of new kind of media that highlight the diversity of embodied expressions, bodies and contexts, foregrounding cultural diversity in a society transfixed by media technology?